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In a fiery social media exchange, the renowned Nigerian singer, Portable, found himself entangled in a whirlwind of controversy when the contentious online personality, Esabod, accused him of resorting to dark charms to achieve his remarkable success in the music industry.

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Over the past few days, this contentious blogger had relentlessly targeted Portable, hurling accusations of him being involved in rituals.

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Portable, widely recognized for his chart-topping songs and electrifying performances, wasted no time in launching a vehement counterattack, vehemently refuting these baseless allegations.

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As news of the accusations spread like wildfire across social media platforms, his dedicated fan base rallied around him, offering unwavering support and solidarity. In the face of this overwhelming backing, the determined singer took it upon himself to directly confront Esabod, determined to defend his reputation and firmly refute the unfounded claims made against him.

Watch him speaks below:

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Portable ‘Japa’ for his life as he jams Seyi Vibez

Gossipinfo news recall that Habeeb Okikiola, a popular Nigerian street-hop artiste known as Portable, made headlines once again with his electrifying performance at the Mobolaji Johnson Arena in Onikan stadium, Lagos.

Portable wasted no time captivating over 10,000 fans during the Naija Super 8 final held at Onikan stadium on Sunday. The event featured performances from Portable, Pheelz, and his rival Seyi Vibez, much to the delight of the enthusiastic audience.

While Portable was delivering his energetic performance during the football game, some fans applauded him, while others expressed their disapproval by throwing plastic objects at him.

It is worth mentioning that Portable had previously expressed his intention to confront Seyi Vibez physically due to their ongoing social media feud.

Unfortunately, Portable found himself unable to retaliate as he was bombarded with plastic objects by presumed fans of Seyi Vibez. Despite the obstacles, he continued to perform, sprinting around the pitch in an attempt to evade the projectiles.

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